Kannammaa Writes

  One of the reasons I respect Mani Ratnam's filmmaking is how he portrays women in his films, even in gangster films. In the former decade, however, Mani steadily succumbed to gangster movies where he normalizes gangsters having mistresses. I know that men will come and say that having affairs are a part of life for gangsters - Mani Ratnam is just showing "realism." But I grew up watching Nayagan and Thalapathy. In fact, I used Thalapathy for plenty of feministic referrals. Mani Ratnam proved previously that gangsters needn't use women as side chicks and have wives who tolerate their cheating to prove their "Thug Life" status. And quite frankly, the honoring of women in Mani's Nayagan and Thalapathy is what elevated the films to a whole new level. I do have a bone with the "item" songs in Nayagan and Thalapathy. Nonetheless, the movies hold women in a league where they needn't be a gangster's notoriety enhancers. They exist, as they ar...

I searched for dark skinned heroines in Tamil cinema. But there are none. Since then, I have a beef with Tamil cinema.  While heroes in Tamil cinema have song lyrics and dialogues glorifying their dark skin, the heroines' fair skin is celebrated. "Were you washed clean with white steam? Were you raised without sunlight falling on you? I’m totally confused and floating in the air. I’m totally lost." That's how Dhanush describes Tapsee Pannu in Yathe, Yathe song from Aadukalam. Though resistant at first, she anyway falls in love with the darker Dhanush. Fair skin is a benchmark for higher status in Indian society. If that's wrong and blatantly classist and casteist, then glorifying fair skin on Indian women as the epitome of beauty is also wrong and blatantly classist and casteist.   Tapsee wallows to herself about Dhanush's appearance after he confesses his feelings for her - "Did he look at himself in the mirror?" That's wrong but men say that to...